Tag Archives: music

Theaterbus: „Hänsel und Gretel“ am Staatstheater Mainz

© Falko Hönisch

Der zweite Theaterbus der Internationalen Musikakademie Sankt Goar führt in diesem Jahr am 2. Adventssonntag wieder an das Staatstheater Mainz:

Hänsel und Gretel

Wohl kaum eine Oper wird so sehr mit der Weihnachtszeit assoziiert, wie dieses Meisterwerk des Komponisten Engelbert Humperdinck, der auch einige Jahre seines Lebens im Oberen Mittelrheintal, um genau zu sein, in Boppard verbracht hat.

Was die Presse (AZ, Wiesbadener Kurier) über diese Inszenierung sagt:

„Wie Regisseur Erik Raskopf in seiner feinsinnigen Ausgestaltung von Hänsel und Gretel charakterstarke Sänger, romantische Klangteppiche, aufwendige Masken und Kostüme und magische Wälder in Engelbert Humperdincks Märchenklassiker zusammenschmilzt, überzeugt auf ganzer Linie.“

Was Zuschauer sagen:

„Wir haben die Aufführung gestern gesehen. Das Orchester und die Darsteller waren durch die Bank weg in glänzender Spiellaune und haben uns von der Ouvertüre an verzaubert.“

„Wir haben die Aufführung heute gesehen und die war wirklich super; die Schauspieler top (vor allem Hänsel und der Vater, weil ich mich mit den am meisten identifizieren kann).“

Einen ersten kleinen Eindruck über die Inszenierung am Staatstheater Mainz erhalten Sie auch hier:

https://www.youtube.com/watch?v=0dbI_nULIJg

Da die Abfahrtszeiten dieses Mal etwas früher geplant sind, bleibt Ihnen auch noch etwas Zeit, um über den neben dem Staatstheater befindlichen Mainzer Weihnachtsmarkt zu schlendern, bevor die Vorstellung um 15 Uhr beginnt:

von Sankt Goar (Parkplatz Am Hafen) um 12:30 Uhr
von Oberwesel (Bahnhof) um 12:50 Uhr und
von Fähre Kaub (Engelsburg) um 12:55 Uhr und
von Bacharach (Parkplatz Rheinanlagen) um 13:05 Uhr

Ankunft am Staatstheater: 14:00 Uhr

Vorstellungsbeginn um 15:00 Uhr

Vorstellungsende um 17:10 Uhr

Die Dauer der Vorstellung beläuft sich auf 2 Stunden und 10 Minuten inkl. einer Pause.

Die Rückfahrt ist um 17:30 Uhr geplant.

Mit €45,- sind Sie dabei und fahren mit uns ins weihnachtliche Mainz zu Hänsel und Gretel.

Darin inkludiert sind:

-Hin- und Rückfahrt
-die komplette Verpflegung vor dem Stück und in der Pause
-das Programmheft des Stücks
-die Garderobe

Da die Plätze im Bus sind auf 50 beschränkt sind, wird um eine Anmeldung bis zum 10. November 2023 gebeten: als E-Mail an tickets@sgimfa.com oder telefonisch unter 0173-5728995 (auch SMS, Signal oder WhatsApp)

Bitte melden Sie sich namentlich unter Angabe, dass Sie im Theaterbus mitfahren möchten an.

Kontaktieren Sie uns auch gerne über unser Kontaktformular.

Foyer Concert: „His name ought not to be Bach, but Ocean.“

Latvian pianist Georg Kjurdian presents in this concert parts of his recently published CD. 

Amongst other pieces, the program includes works for the piano solo composed by J.S. Bach, Ludwig van Beethoven, Johannes Brahms, Franz Liszt, Richard Wagner and Anton Webern.

Johann Sebastian Bach (1685-1750)
from Well Tempered Piano, Volume I:
Prelude and Fugue in E-flat minor/D-sharp minor, BWV 853

Anton Webern (1883-1945)
Variations, Op. 27

Ludwig van Beethoven (1770-1827)
Sonata No. 31 in A-flat major, Op. 110
Moderato cantabile molto espressivo
Allegro molto
Adagio ma non troppo – Fuga, Allegro, ma non troppo

Intermission

Johann Sebastian Bach
French Suite No. 5 in G major, BWV 816
Allemande
Courante
Sarabande
Gavotte
Bourret
Loure
Gigue

Johannes Brahms (1833-1897) 
Three Intermezzi, Op. 117
Andante moderato
Andante non troppo e con molto espressione
Andante con moto

Richard Wagner (1813-1883)/Franz Liszt (1811-1886)
Isoldens Liebestod

© Rebecca ter Braak

Only piano has never occupied the Latvian-born Georg Kjurdian (*1994). He started playing guitar at the age of four and composition at the age of 8. Georg got acquainted with the piano at the age of ten, which he has since described as his greatest passion and experimental scene.

Having come to Germany at the age of 18, he considers Hisako Kawamura, Arnulf von Arnim, Andreas Reiner and Evgeni Sinaiski as the ones who have most influenced his skills and musical worldview. A laureate of international competitions (such as the 14th Bach Competition in Leipzig), a dedicated soloist and chamber musician, Georg Kjurdian is dedicated, among other things, to unconventional programming concepts and the new concert formats that continue to make classical music relevant to listeners.

In early 2023, his debut CD will be released on the label “Challenge Records”, where he will play the works of the 3 big Bs (Bach, Beethoven and Brahms).

Sunday, March 26, 2023 
Time: 5 pm
Location: Glass Foyer of the Rheinfelshalle at Sankt Goar (Heerstraße 139, 56329 Sankt Goar)

The venue is accessible by people with disabilities

Visitors from the right shore of the Rhine river will be able to reach after the concert the Ferry from Sankt Goar to Sankt Goarshausen.

The concert is free of charge. Donations are welcome.

Please use our contact form, if you want to attend the concert.

For a direct contact, please use one of the following options:

+49 173-5728995 (phone, SMS, WhatsApp, Signal)
tickets@sgimfa.com

Foyerkonzert: Mozarts Leben – Ein Vortrag mit Musik

Roman Salyutov

Pianist und Dirigent Roman Salyutov referiert mit launigen Texten und musikalischen Beispielen am Flügel über W.A. Mozart. Musikinteressierte können auf diese Weise Einblicke in das Leben eines der wichtigsten Komponisten der Klassik erhalten.

Auf dem Programm stehen unterschiedliche Werke für das Klavier solo, sowie Videosequenzen, an denen Herr Salyutov das Leben und Wirken von Wolfgang Amadeus Mozart vorstellt.

Roman Salyutov
© Beatrice Tomasetti

Roman Salyutov, 1984 in Leningrad, dem heutigen Sankt Petersburg geboren, studierte Klavier und Dirigieren in ebenda und in Köln und promovierte in Musikwissenschaft zum Dr. phil. in Paderborn. Seine Auftritte als Konzertpianist führen ihn, neben Deutschland und Europa, in die USA, nach Japan, Australien, Neuseeland und Israel. Meisterkurse und musikwissenschaftliche Vorträge sind ebenso Teil seiner künstlerischen Arbeit. Sein Repertoire umfasst über 400 Werke vom Barock bis zur Moderne.

Der Musiker lebt in Bergisch Gladbach. Er leitet das Sinfonieorchesters Bergisch Gladbach, initiiert verschiedene Kulturprojekte wurde für sein ehrenamtliches Engagement im Bereich Kultur mit der Ehrennadel der Stadt Bergisch Gladbach ausgezeichnet.

Freitag, den 17. März 2023 
Uhrzeit: 18:30 Uhr
Ort: Glasfoyer der Rheinfelshalle in Sankt Goar (Heerstraße 139)

Der Konzertort ist barrierefrei zugänglich!

Die Besucherinnen und Besucher der rechten Rheinseite können nach dem Konzert die Fähre nach Sankt Goarshausen erreichen.

Der Eintritt zu dem Konzert ist frei. Um eine Spende wird gebeten.

Es findet die am jeweiligen Veranstaltungstag gültige Corona-Bekämpfungsverordnung des Landes Rheinland-Pfalz Anwendung.

Bitte melden Sie sich namentlich unter Angabe, an welchem Konzert Sie teilhaben möchten, über unser Kontaktformular an.

Kontaktieren Sie uns auch gerne direkt:

0173-5728995 (telefonisch, SMS, WhatsApp, Signal)
tickets@sgimfa.com

Theaterbus: „Die Eroberung von Mexico“ am Staatstheater Mainz

© Falko Hönisch

Ein neues Angebot macht die Internationale Musikakademie Sankt Goar und initiiert erstmalig einen Theaterbus, der die Menschen aus dem Oberen Mittelrheintal bequem zu Oper- und Musiktheateraufführungen in der näheren und weiteren Umgebung bringen wird.

Zu außergewöhnlichen Angeboten an verschiedenen Theatern und Opernhäusern, die erlebenswert sind, organisiert die Musikakademie zusätzlich zu den im Oberen Mittelrheintal stattfindenden Konzerten, entsprechende Theaterfahrten.

Zum Anfang dieses neuen Projekts, das das Leben und Wohnen im Oberen Mittelrheintal noch lebenswerter gestalten soll, wird mit einer zeitgenössischen Oper ein besonders mutiger Aufschlag gemacht:

Am 2. April 2023 geht es ins Staatstheater Mainz zur letzten Aufführung der von der Presse umjubelten Produktion „Die Eroberung von Mexico“ von Wolfgang Rihm, in der auch der Leiter der Internationalen Musikakademie Sankt Goar, Falko Hönisch, zu erleben ist.

Die Abfahrten sind:

von Sankt Goar (Parkplatz Am Hafen) um 13:30 Uhr
von Oberwesel (Bahnhof) um 13:50 Uhr und
von Bacharach (Parkplatz Rheinanlagen) um 14:05 Uhr

So kann die Ankunft am Staatstheater Mainz um 15:15 Uhr sichergestellt werden, um pünktlich zum Vorstellungsbeginn um 16:00 Uhr vor Ort zu sein.

Die Dauer der Vorstellung beläuft sich auf 2 1/2 Stunden inkl. einer Pause.

Die Rückfahrt ist um 19 Uhr geplant.

Die Kosten für diesen Opernausflug belaufen sich auf: €42 (Hin- und Rückfahrt, Theaterkarte und ein Glas Sekt in der Pause)

Es findet die am jeweiligen Veranstaltungstag gültige Corona-Bekämpfungsverordnung des Landes Rheinland-Pfalz Anwendung.

Da die Plätze im Bus sind auf 31 beschränkt sind, wird um eine Anmeldung bis zum 14. Februar 2023 gebeten: als E-Mail an tickets@sgimfa.com oder telefonisch unter 0173-5728995 (auch SMS, Signal oder WhatsApp)

Bitte melden Sie sich namentlich unter Angabe, an welcher Veranstaltung  Sie teilhaben möchten,  an.

Kontaktieren Sie uns auch gerne über unser Kontaktformular.

PIANO – Prof. Klaus Sticken (Music and Arts University of the City of Vienna)

Teacher:

© Martin Teschner

Klaus Sticken is a versatile and distinctive pianist with over 25 years of concert experience. He performs in such venues as the Tonhalle Zurich, the Great Hall of the Tchaikovsky Conservatoire in Moscow, the Philharmonie in Kiev, the Megaron in Athens, the Konzerthaus in Berlin and the Musikhalle in Hamburg. His successes in the Concours Clara Haskil in Vevey, the Grand Prix Maria Callas in Athens and the Hamamatsu International Piano Competition in Japan led, amongst other engagements, to concerts with the Warsaw Philharmonic Orchestra, the Orchestre de Chambre Lausanne, the Ukraine State Orchestra and the Berlin Symphonic and Moscow Symphonic Orchestras. He undertakes concert tours throughout Europe and in the Far East.

His creative engagement with piano music is well displayed in the theme-based recitals for various radio stations, the Deutschlandradio, Radio Suisse Romande and Westdeutsche, Mitteldeutsche and Hessische Rundfunk and others. Sticken also works with experimentally minded partners such as the Kuss Quartet or the author and pianist Cord Garben and tries out new methods of presenting music and text with the poet Oskar Ansull. Recordings for the CD label Thorofon and many radio productions of seldom heard masterpieces by Clementi, Reubke, Strauss, Martin, Honegger, Korngold and Rota provide evidence of the wide-ranging nature of his repertoire.

Through his teachers Vladimir Krainev, Vitaly Margulis, Gyorgy Sebok and Alfred Brendel Klaus Sticken has become familiar with very varied approaches to music. Besides his concert activity serves as a professor of piano at the Music and Arts University of the City of Vienna.

Dates: 

Arrival: Thursday, Oktober 26, 2023, until 2 pm
Closing concert: Sunday, October 29, 2023, 5 pm
Departure: Monday, October 30, 2023, until 12 am

Course Description:

Piano-works from all periods: from Baroque over Classic and Romantic to Modern Music; preparation for exams, concerts and competitions

Repertoire:

Piano solo or for four hands          

Accommodation:

Students are hosted on a shared room basis in a beautiful villa on the bank of the Rhine river.

Meals:

A kitchen is available for cooking; groceries can be bought in a nearby supermarket. Group shopping is advised. A different team can do the cooking daily, which can be organize in situ.

Rooms:

Committed to the spirit of romanticism, all masterclasses offered by the Sankt Goar International Music Festival and Academy unite everything under one roof: living, learning, eating and sleeping. That is why participants will be hosted on a shared room basis.

Audition information and registration:

In order to be accepted, you must meet one of the following criteria:

(a) be recommended by Prof. Sticken, or
(b) submit an unedited video audition (YouTube link) for review.

In addition, you must complete and submit our application form and pay a €40,- application fee.

Registration Deadline: October 22nd, 2023

Tuition:

Course fee (incl. accommodation): €500,-

PIANO – Prof. Konrad Engel (Hochschule für Musik Hanns Eisler Berlin)

Teacher:

© Irène Zandel

Born in the region of Frankfurt/Main, Konrad Maria Engel grew up in a mainly scientifically oriented family. However it came clear already during his early childhood that music would be his vocation some day. More than a dozen scholarships, awards and many prizes at international competitions reinforced that impression over the years, most importantly to mention the German National Music Competition, Bach-Competition Leipzig and a first prize at the international Chopin-Competition Hanover.

His concert career – now almost 40 years of stage experience – took him all over the northern hemisphere, across Europe, Asia and the US. As a soloist he performed with numerous renowned orchestras and at several international festivals. His repertoire did never exclude any style or period and included all kinds of keyboards from cembalo to fortepiano and various historic grand pianos.

Since his younger days Konrad Engel is also very much dedicated to chamber music and Kunstlied. Just to mention a few long term highlights, there was the applauded „Trio Corrado” together with Konradin Seitzer (Violin) and Konrad Haesler (Cello) as well as various performances together with Leonid Gorokhov, Markus Becker, Mareike Morr, Sharon Kam and many other renowned partners. Beyond that he was member of bigger ensembles as well as conducting two chamber orchestras for several years.

Over the last two decades he discovered his great passion for teaching and rather focused his career on education since several years. After getting first experiences in teaching at the municipal music school Hanover, a lectureship at the University for Arts Bremen in 2011 was an important leap.

From 2012 to 2018 he held a substitutional professorship at Hanover Music University, where he first got in touch with the education of highly talented young students. In 2017 he got a full professorship at the University „Hanns Eisler“ Berlin and the honour to become head of piano department at the „Musikgymnasium C.P.E. Bach“ in addition.

By now amongst his students are many prizewinners at international competitions such as Sendai/Japan, Aarhus/Denmark, Mendelssohn/Berlin, Schumann/Zwickau, Liszt/Weimar etc.

He started his own academic studies in music education at Hannover Music University and

finished his third Diploma with the „Konzertexamen“ in 2006 after being a student of Karl-Heinz Kämmerling for many years. His education was also enriched by important impulses from John O’Conor (Wilhelm-Kempff-Academy Positano), Bernhard Wetz and Gerhard Schroth (Frankfurt) as well as chamber music lessons by Vassilia Efstathiadou, Antje Weithaas, Grainne Dunne.

In his sparse free time Konrad Engel is interested in many other subjects, such as astronomy and technology but also visual arts, history and philosophy – never to forget about classic cars.

His motto actually couldn’t be described better than in Eisler’s words: „Who seeks to understand music only, won’t understand music at all.“

Dates: 

Arrival: Thursday, August 17, 2023, until 2 pm
Closing concert: August 20, 2023, 5 pm
Departure: August  21st, 2023, after 2 pm

Course Description:

Piano-works from all periods: from Baroque over Classic and Romantic to Modern Music; preparation for exams, concerts and competitions

Repertoire:

Piano solo or for four hands          

Accommodation:

Students are hosted on a shared room basis in a beautiful villa on the bank of the Rhine river.

Meals:

A kitchen is available for cooking; groceries can be bought in a nearby supermarket. Group shopping is advised. A different team can do the cooking daily, which can be organize in situ.

Rooms:

Committed to the spirit of romanticism, all masterclasses offered by the Sankt Goar International Music Festival and Academy unite everything under one roof: living, learning, eating and sleeping. That is why participants will be hosted on a shared room basis.

Audition information and registration:

In order to be accepted, you must meet one of the following criteria:

(a) be recommended by Prof. Engel, or
(b) submit an unedited video audition (YouTube link) for review.

In addition, you must complete and submit our application form and pay a €40,- application fee.

Registration Deadline: July 17, 2023

Tuition:

Course fee (incl. accommodation): €450,-

VIOLA – Prof. Piotr Szumieł (Rostock University of Music and Drama)

Teacher: 

Piotr Szumieł, born in Warsaw in 1977, belongs to the group of the most versatile violists of his generation. At a young age he was the recipient of numerous prestigious prizes at international competitions, including winning the Jan Rakowski Viola Competition in Poznan in 1998, the special prize at the 36th International Instrumental Competition in Markneukirchen in 2001, a 2nd prize at the 9th International Johannes Brahms Competition in 2002 in Pörtschach (Austria) and 3rd prize at the Vienna International Viola Competition in 2004.

Between 2002 and 2008 he was a member and principal violist of the Dresden Philharmonic and the Dresden Philharmonic Chamber Orchestra, and is a sought-after juror and teacher on master classes. Piotr Szumiel has been doing very intensive educational work for many years – he is a lecturer for viola and chamber music at the College of Music „Carl Maria von Weber” (since 2005), between 2013-2018 he was a lecturer at the “Karol Szymanowski” Academy of Music in Katowice and from October 2019 at the University of Music and Drama in Rostock, where he has been a professor since April 2020.

Piotr Szumieł has played in London’s Wigmore Hall, the Berlin Philharmonie, the Wiener Konzerthaus and the Wiener Musikverein, Megaron in Athens, the Cologne Philharmonie, Citè de la musique Paris, Palais des Beaux Arts Brussels, Konserthuset Stockholm, Concertgebouw Amsterdam, Warsaw Philharmonic and much more…

As a chamber musician, he has worked together with the following artists: Alena Baeva, Martin Fröst, Gabriela Montero, István Várdai, Garrick Ohlsson, Vadym Kholodenko, Valentin Erben, Nils Mönkemeyer, Kevin Kenner, Igor Levit, Per Arne Glorvigen, Jörg Widmann, Charles Richard-Hamelin, Polina Leschenko, Ewa Kupiec.

As a soloist, Piotr Szumieł works with conductors such as José Maria Florêncio, Vladimir Kiradjiew, Anu Tali, Gérard Korsten, Hugh Wolf, Teowyn Evans, Ernst Kovacic, Petri Sakri, Baldur Bronnimann and has performed with numerous orchestras, including the Dresden Philharmonic, BBC Symphony Orchestra, Radio Symphony Orchestra Vienna, the Philharmonic Chamber Orchestra Dresden, BBC National Orchestra of Wales, and the National Radio Symphony Orchestra Katowice.

Piotr Szumieł studied at the „Fryderyk Chopin” Music Academy in his hometown in the viola class of Prof. Stefan Kamasa, where he graduated with distinction in 2001. Later, he continued his viola studies with Prof. Wolfgang Klos and chamber music with Prof. Johannes Meissl at the University of Music and Performing Arts Vienna, where he also graduated with distinction in 2010.

In addition to his solo and didactic activities, he devotes himself intensively to the “Apollon Musagète Quartet”, founded in 2006. In the two years of its existence, this ensemble has not only gained outstanding recognition from critics, but also from the juries of major music competitions. After winning international music competitions in Vienna and Florence, the quartet quickly established itself as a fixture on the European music scene after receiving the 1st prize and almost all special prizes at the 57th ARD International Music Competition.

Piotr Szumieł is the recipient of the “Young Poland” scholarship program of the Minister for Culture and National Heritage and the “Burletti Buitoni Trust Award” (2014) for outstanding artistic achievements with the “Apollon Musagete Quartet”.

The artist conducted workshops and master classes in Austria, Germany, Hong Kong and Poland. He took part in the work of the jury at international viola and chamber music competitions in Shanghai, Hong Kong, Katowice and Meissen.

Dates: 
Arrival: Tuesday, May 3rd, 2022, until 12 pm
Closing concert: Friday, May 6, 2022, 7 pm
Departure: Saturday, May 7, 2022, until 12 pm

Contents: preparation for exams, concerts and competitions

Repertoire: Works from all periods: from Baroque over Classic and Romantic to Modern Music

Accommodation:

Students are hosted on a shared room basis in a beautiful villa on the bank of the Rhine river.

Meals:

A kitchen is available for cooking; groceries can be bought in a nearby supermarket. Group shopping is advised. A different team can do the cooking daily, which can be organize in situ.

Rooms:

Committed to the spirit of romanticism, all masterclasses offered by the Sankt Goar International Music Festival and Academy unite everything under one roof: living, learning, eating and sleeping. That is why participants will be hosted on a shared room basis.

For further impression, please visit our venue site.

This masterclass is already fully booked. Further applications are not possible. 

PIANO – Tomoko Ogasawara (University of Music Freiburg)

After studying at the State University of the Arts in Tokyo where she was born, the pianist Tomoko Ogasawara continued her studies in Germany at the University of the Arts in Berlin and the University of Music in Freiburg im Breisgau, where she received the solo diploma with honors and went on to win 1st Prize in the German Hochschulwettbewerb.

Among her teachers were Georg Sava, Tibor Hazay and Georgy Sebok who influenced her artistic development and led her to early success, for example as finalist in the international competitions “Maria Canals” / Barcelona and “ Clara Haskil” / Montreux.

Since then concert engagements have taken Tomoko Ogasawara to the concert halls of the international music world (such as Berlin, Montreux, London, Paris, Tokyo, Jerusalem, Bangkok, Shanghai). She has played concerts together with Albrecht Mayer, Jörg Widmann and Tabea Zimmermann and regularly plays with the principals and leading musicians of the Berlin Philharmonic Orchestra, the Bamberg Symphony Orchestra, the Bavarian Symphony Orchestra and the SWR Orchestra also in the context of chamber music formations, such as the piano trio “Franconia”, the ensemble “Abraxas” and at international festivals such as “Affinis” in Japan.

As soloist Tomoko Ogasawara has played, among others, with the Symphony Orchestra Berlin, Lausanne Chamber Orchestra, Bad Reichenhall Philharmonic Orchestra and the Chamber Philharmonic Orchestra Bamberg. She is featured in numerous radio broadcasts as well as CD recordings. In the season 2006/2007 Ogasawara performed the complete cycle of piano sonatas by W. A. Mozart.

Currently Tomoko Ogasawara passes on her musical experience through the teaching position she holds at the University of Music in Freiburg im Breisgau as well as regular master classes in Tokyo and Yokohama. Students of hers have won prizes in both national and international competitions.

Dates:

Arrival: Sunday, Juli 31st, 2023 from until 2 pm
Closing Concert: Saturday, August 5, 2023 at 6 pm
Departure: Sunday, August 6, 2023 until 12 pm

Piano-works from all periods: from Baroque over Classic and Romantic to Modern Music; preparation for exams, concerts and competitions

Repertoire:

Piano solo or for four hands          

Accommodation:

Students are hosted on a shared room basis in a beautiful villa on the bank of the Rhine river.

Meals:

A kitchen is available for cooking; groceries can be bought in a nearby supermarket. Group shopping is advised. A different team can do the cooking daily, which can be organize in situ.

Rooms:

Committed to the spirit of romanticism, all masterclasses offered by the Sankt Goar International Music Festival and Academy unite everything under one roof: living, learning, eating and sleeping. That is why participants will be hosted on a shared room basis.

For further impression, please visit our venue site.

Audition information and registration:

In order to be accepted, you must meet one of the following criteria:

(a) be recommended by Ms Ogasawara, or
(b) submit an unedited video audition (YouTube link) for review.

In addition, you must complete and submit our application form and pay a €40,- application fee.

Registration Deadline: Jun 31st, 2023

Tuition:

Course fee (incl. accommodation): €590,-

VOICE — Wolfgang Klose (University of Music Rostock)

Teachers: 

© Anne-Marie von Sarosdy

Stylistic variety, authentic sound and the synthesis of word and music are the most basic elements of singing for the tenor Wolfgang Klose. He received significant impetuses from Thomas Heyer, Mario Hoff and Konrad Jarnot as well as on master classes with Francisco Araiza, Julie Kaufmann and Kurt Widmer.

He performed e.g. Tamino (Magic Flute), Symon (Bettelstudent) and Pylades (Iphigenie on Tauris) on the opera stage. Besides from off stage productions he performed at Händelfestspiele Halle, Deutsche Oper am Rhein and Bühnen der Stadt Köln.

His favorite work is dedicated to the oratorio stage: he is performing all main repertoire from Renaissance to contemporary music, mostly known for his interpretations of the cantatas and oratorios of the baroque and classical epoch. Being guest of numerous festivals and stages all over Europe and the USA he performs with symphonic orchestras and HIP ensembles.

In 2013 the he received a 1st price from Verband Deutscher Konzertchöre. Recordings of broadcasting services and CD labels are available such as WDR, rbb, SWR, Carus Verlag, Virgin Classics (former Label: EMI France) and cpo.

Having graduated at Robert Schumann Hochschule Düsseldorf and University of Music Mainz he has been teaching on university level for many years. Nowadays he teaches singing at Hochschule of Music und Theater Rostock and Folkwang University of Arts Essen.

Collaborative pianist: Prof. Thomas Hinz

Dates: 

Arrival: Monday, August 5, 2024, until 12 pm
Closing concert: Friday, August 9, 2024, 7 pm
Departure: Saturday, August 10, 2024, until 12 pm

Course Description:

The voice is the instrument most closely connected to the human body and therefore capable of transporting emotions unfiltered and most directly to the audience. Etymologically, there is a direct translation to  personare (latin for through sounding); in Hebrew there is even the same word for soul and throat.

For five days we will be working on throat skills which will help to make these connections hearable. Additionally to working on stylistic differences of the epochs, diction and interpretation impulses the fun of making music is of great importance as well!

Our master class is intended for all who are searching for new impulses in singing and interpreting – e.g. as a preparation for attending universities or for a check-up for (midterm) exams – we will work individually in three units each day and actually strengthen the instrument “voice”.

The interpretation of the repertoire will increase in authenticity by working out and improving individual qualities.

Repertoire:

Concert and opera arias, as well as art songs from the baroque era to contemporary music

Accommodation:

Students are hosted on a shared room basis in a beautiful villa on the bank of the Rhine river.

Meals:

A kitchen is available for cooking; groceries can be bought in a nearby supermarket. Group shopping is advised. A different team can do the cooking daily, which can be organize in situ.

Rooms:

Committed to the spirit of romanticism, all masterclasses offered by the Sankt Goar International Music Festival and Academy unite everything under one roof: living, learning, eating and sleeping. That is why participants will be hosted on a shared room basis.

For further impression, please visit our venue site.

Audition information and registration:

In order to be accepted, you must meet one of the following criteria:

(a) be recommended by Mr. Klose, or
(b) submit an unedited video audition (YouTube link) for review.

In addition, you must complete and submit our application form and pay a €40,- application fee.

Registration Deadline: July 5, 2024

Tuition:

Course fee (incl. accommodation): €590,-